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Most people don’t want to mess with their digital camera’s settings. The rest of us may not understand what they are for and what they can do. Camera manufacturers realize this and are making it easier to take great photos. It is done through a feature called scene modes. Scene modes are mini-programs designed to automatically adjust your camera’s settings that are best suited for the situation. By merely twisting a knob or pushing a button a few times, you are able to quickly and easily adjust your camera to get a great shot nearly every time.

Here are some of the more common scene modes and what they do:

Backlight – eliminates dark shadows when light is coming from behind the subject or when the subject is in the shade.

Beach/Snow – this mode is used when photographing beach, snow and sunlight water scenes. Exposure times and white balance are set to help prevent the scene from becoming washed out looking.

Fireworks – shutter speed and exposure are set for shooting fireworks: pre-focusing and the use of a tripod is highly recommended.

Landscape – this mode is used to take photos of wide scenes. The camera automatically focuses on a distant object.

Macro – is used to take close-up shots of small objects, such as coin, flowers or insects. The lens can be moved closer to the object than in other modes. The use of a tripod is highly recommended.

Night Scene – is used when photographing night scenes – what else? Slow shutter speeds are used. You’ll need that tripod again.

Panning or Action – this mode will “freeze” the action of the subject while blurring the background to give the feel of motion or speed.

Panorama – is used to take a series of shots from one point and “stitch” them together with software to make a wide angle scene.

Party Mode – is used to take photos in a dim lit room. Exposure and shutter speeds are adjusted for room brightness. The camera must be held very steady in this mode.

Portrait – this mode automatically focuses on the subject and puts the background slightly out of focus.

Sports – is similiar to action modes. Fast shutter speeds “freeze” the action. Best shots will result when taken in bright lighting conditions and when you are pre-focused on an area.

Sunset – is used to take photos of sunsets and sunrises. This mode helps keep the deep hues in the scene.

Some cameras have as many as 20 different scene modes. Some modes will automatically adjust the size of your photo for on-line auction. Some are supposed to take 10 pounds off the subject. Regardless of how many scense your camera has, always read the instruction manual. Each manufacturer has their own terminology. By understanding and using scene modes, you will get a great shot every time.

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In this article, I shall provide a list of the digital camera key features that you should think and know about. Here’s a summary of what to look for:

1.Resolution
Resolution determines how sharp your image will be, how much you can enlarge a photo before the pixels start to becomedistracting, and how much you can crop a photo and still be left with adecent image that you can enlarge and manipulate.

2.Lens
The lens is the eye of your digital camera. Look for the following in your lens:
•You’ll want good-quality optics that focus a sharp image on yourcamera’s solid-state sensor. The best way to gauge the quality of the lens is to take a test photo or two. A vendor’s reputation or lab tests in magazines are other ways to evaluate a lens.
•The lens also needs enough light-gathering power to let you shoot inreduced light levels. A camera’s light-gathering capabilities are measured in something called f-stops.
•The magnification power of the lens (how large or small an image appears to be from a particular shooting position) is another factor. A digital camera’s lens magnification can usually be varied by zooming in and out to make the image larger or smaller.
•A related factor, the zoom range, is another key characteristic to look at. Where magnification tells you only how large or small theimage can be made to appear, the zoom range tells you the differencebetween the two. As I mention under the discussion of generalcamera categories, some lenses have only a small zoom range, say 2:1,whereas others have a longer range, up to 12:1 or more (which meansthe image size can be varied up to 12X).

What’s the difference between magnification and zoom range?
Magnification deals purely with how large or small an image appears to sbe. For example, one lens may extend from a 28mm (35mm equivalent)to 85mm (35mm equivalent) magnifications, a 3:1 zoom range. Another lens might go from 35mm to 105mm (both 35mm equivalents) and also qualify as a 3:1 zoom range optic. However, the second lens would provide more relative magnification.

3.Storage
The kind and amount of removable storage is another key feature. The more storage space you have for photos, the more pictures you can take before “reloading” your digital camera. Most cameras use CompactFlash, Secure Digital, or other electronic “film” media.

4.Exposure controls:
Except for the least expensive models, all digital cameras include automatic exposure controls that adjust the amount oflight reaching the sensor based on the lighting conditions of your subject. If the illumination is low, an auto exposure system uses a wider lens f-stop or exposes the sensor for a longer period of time. If there is a lot oflight, the exposure system reduces the amount of light reaching the sensor. Cameras with more versatile automatic exposure controls let you specify what type of exposure to use. For example, when shooting action, it’s often preferable to use the shortest shutter speed possible to freeze the motion and to adjust the size ofthe lens opening instead. Conversely, if you want a lot of your image to be in sharp focus (say, objects very close to the camera and very far are both important), you may be able to choose an exposure mode that favors maximum depth of field. You probably want a digital camera that can handle several different exposure modes and lets you set exposure yourself.

5.Focus controls
Most digital cameras also have an automated system for sharply focusing your images. Some are more versatile than others, and many cameras also let you focus manually to ensure that the subject matter you want to emphasize is the sharpest.

6.Viewfinders
Digital cameras generally have four ways to let you preview and compose your images prior to exposure. The color LCD panel on the back of the camera shows you the same image that the sensor is capturing. The LCD is often hard to view in bright light, so digital cameras also may have optical viewfinders that let you see a non electronic version ofthe frame. More-advanced cameras might include a second LCD (EVF) in the camera, where it is shielded from the glare of the surrounding light. Single lens reflexes (SLRs) let you see an optical version of the picture through the same lens used to take the photo.

7.Other equipment, other features
Finally, as you choose your digital photography gear, think about accessories, such as tripods, filters,add-on lenses, external electronic flash units, scanners, printers, and additional stuff. Even the storage media you use to archive your photos, such as CDs or DVDs, can all be important.

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How to Buy Digital Camera Equipment

There are so many digital cameras that it can be confusing trying to buy digital camera equipment. Here are some tips to help you decide which the best choice is for you and buy digital camera equipment that you will get the best results with:

• The first step before you buy digital camera equipment is to set a basic budget on how much money you want to spend. You do need to be realistic about the fact you won’t be able to get the best of every feature, as you may have to make tradeoffs when you actually buy digital camera equipment.

• Your experience level has to have a big influence in your decision to buy digital camera equipment. There is no point in buying too much buy digital camera equipment than you can actually use.

For a novice you should buy digital camera equipment that is point and shoot so that you don’t have to worry about manually changing any settings. Digital zoom is not as important a part in the process of choosing to buy digital camera equipment as you may first think.

Basically it just means that the camera crops the picture and gives you the center piece of it. You do not need to buy digital camera equipment that does this as you can do it better yourself after you take the picture.

You can usually move closer to the subject anyway and to buy digital camera equipment that includes an optical zoom can add a lot of unnecessary cost and weight to the camera. Of course, expert photographers will want to buy digital camera equipment that gives them more manual control over the exposure process.

• Next you need to consider what you will use your camera to capture before you set out to buy digital camera equipment. A fast shutter speed is necessary for moving subjects. You can also buy digital camera equipment that has special features to enable you to take multiple pictures in quick succession for high-action pictures.

• There are a number of helpful websites that give reviews on photographic products to help you decide on the best camera for your needs before you buy digital camera equipment. Of course, you can also ask friends and family about their digital camera choices.

Price comparison websites are also essential to help you to buy digital camera equipment at the best possible prices. Remember that when you buy digital camera equipment there are often a list of extras that you may want to purchase, including batteries and memory cards.

Don’t be tempted to go for a trendy-looking, colorful camera if you really want to buy a less cool looking one that does more of what you want.

Make sure that you have got as many of the features that you wanted to have in the first place and haven’t compromised too much on them for the sake of a few extra dollars.

It is important to ensure that you buy digital camera equipment that you are happy with and enables you to take the photographs that you want.

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Just bought a new camera ?? And very excited to start taking photos with your new gadget??

But Alas, why does the picture not look as good as you wanted to !! Fret no more, stay tuned below for 4 new tricks to taking more interesting and memorable photos.

Trick #1 – Try out different camera exposure settings
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By exploring the exposure settings of your camera, you could have pictures looking more brilliant with 0.5 to 2 stops underexposed in bright surroundings, and scenes appearing more clear with some overexposure. Just by simple tuning of the exposure level, you can create

pictures which can bring out different moods from people viewing it. Thats why the quote “A Picture Says A Thousand Words” is very true indeed ! For newbies, try out bracketing (i.e: Take the same photos with different exposure levels) and take your favorite pick from them.

Trick #2 – Bring out some creative blur in photos
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By introducing some well-planned blur in photos, you can bring across certain important features, while using the rest as good complement, providing an overall nice touch. This can be done in 2 basic types.

First type is depth-of-field blur. Varying the lens aperture between 0.4 to 1.4 can create a lovely, soft background blur which bring sharp focus to the subject in the foreground.

Second type is movement blur. Done by setting the camera exposure on shutter priority, and keep it slow so as to capture interesting streaks as the subject moves in front of the camera.

Trick #3 – Create something out of nothing !!
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What does it means? This exercise encourages you to take a step back and rethink how you can take wonderful pictures with things you already encountered on a daily basis.

One approach is to create your shot around the common elements around you such as lines, space and patterns. This can mean anything from the roads to the bridges, the trees, the railings, etc.. You start to see more possibilities and room for creativity.

Trick #4 – Take Unique Photos !!
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Try to avoid taking photos from already popular places where everyone else has taken before, it will not be fresh, and the excitement is also much diminished. Try out new extreme photography (for example: underwater photography), or it could be as easy as shooting through thick glasses for that extra 3D feel, or shooting reflections of objects in water or other reflective objects.

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Whether you consider yourself an amateur photographer, or you just want to create better family photos, there are many things you can do to get better photos. Here are some easy tips to use the next time you head out with your digital camera.

Even a beginner can take professional-looking photos – suitable for framing.

Be Prepared

Keep all your photography equipment ready for use. Collect everything you’ll need into one place. A camera bag is ideal, because it keeps all your stuff together and lets you carry it all with you. Everything in its place. A good camera bag will let you organize a miniature tripod, extra battereis, memory cards, etc. – even a plastic bag or waterproof housing to protect your camera in wet weather.

Hold your Camera Steady

Blurry photos are almost always the result of camera movement. Just your own unsteadiness, causes your camera to shake enough to blur your pictures.

So steady yourself and your camera before you take the shot.

Plant your feet firmly on the ground and tuck your elbows in close to your sides. Instead of using the LCD viewer, steady your camera against your forehead and frame the shot using your camera’s viewfinder. You can also steady your upper body by leaning against a wall or a tree. Or totally eliminate any camera movement by using a tripod.

Once you’re all set, gently press the shutter release in one motion. Pressing the shutter release too hard could jerk the camera downward.

Get Closer

One difference in “snapshots” and really great photos is the composition of the shot. Unless you’re shooting an outdoor landscape, you can improve most photos just by getting closer to your subject. Depending on the situation, you can physically move closer to your subject, or use the zoom feature on your camera for the same effect. Try to get within a few feet of your subject so you eliminate most of the background. You’ll like the results.

Take more Pictures

Even professionals take loads of shots of the same subject – to get just a few that they will use. With a digital camera, you can delete the images you don’t like, and only print the winners – so don’t hesitate to take several shots of the same subject. Change the angle of the shot. Get a little closer. Adjust the lighting.

Why not fill the entire memory card with pictures of your kid at the pool, or your daughter in her cap and gown? The more pictures you take, the better the odds that you’ll get a few shots that will really thrill you.

Vary the Lighting

Using natural light will give better skin tones when photographing people, so try not to use the flash if you don’t have to. Outdoor daylight shots are easy, but you’ll have to be a little more creative when shooting indoors. Try using the light coming in from a window for warmer tones than you would get using the flash.

Experiment with natural lighting. You can get stronger shadows by moving your subject closer to a window, and turning your subject can create more dramatic shadows.

Eliminate Red-Eye

Red-eye is the result of light passing through your subject’s eye and reflecting back. You’ll get it more often when using your flash, just because the light from the flash isn’t as diffused as natural light. So the first tip for eliminating red-eye is simply to avoid using your flash when you don’t absolutely have to.

Another way to reduce red-eye is to have your subject look anywhere but at the camera. This reduces red-eye because any reflection isn’t directed back at your camera lens.

If you have to use the flash, some digital cameras have a built-in feature to automatically remove red-eye. Use it.

Go for Candid

Instead of posing two (or more) people looking directly at the camera, get a shot of them interacting with one another. Even two people having a conversation is more interesting than having them stand next to each other facing the camera. Some of the best professional portraits have the subject captured deep in thought, with their attention focused inward, rather than on the camera lens.

It makes a more interesting shot. Your portrait will look more natural – less posed.

Create a Scene

Putting your subject in the center of a photo is just boring. You’ll get a much more pleasing result if you place your subject off center when you frame the shot.

This is a truly professional technique. Place your subject so that they occupy 1/3 to 1/2 of the total composition, but NOT at the exact center of the frame. Capture an interesting background object in the rest of the frame.

Anybody can practice these techniques. They’re easy and you’ll get better, more professional photos.

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Have you already mastered the art of taking photos without ‘red-eye’ syndrome? Are there some pictures that you know you should have turned out a lot better than they did? It happens to all of us – even the expert photographers.

Here are five tips to help you move from beginner to master of digital photography, whether you’re using your cell phone or a point-and-shoot camera to snap shots.

Compose Carefully

One of the most basic digital photography tips is to pay attention to what’s in the frame of the viewfinder. Fill the frame. Nothing but blue sky, for instance, behind a single subject throws off the proportions of the photo and decreases interest. You can also turn the camera sideways to see if a vertical photo might have more impact than a horizontal shot of the same subject.

You can also try positioning your subject off to the side, rather than in the center of the photograph.

Take Great Close up Photos

Your digital camera has a “macro mode” – think of it as a super magnifying glass. An extreme close up of something like flower petals can bring out textures that you never knew existed, and will add excitement to your photos. Play with this feature, you will find dozens of ways to use it to enhance your pictures.

Buy a Tripod

Digital cameras are prone to blurry photographs if your hands shake even a little bit. Several companies manufacture light, portable, inexpensive versions. Digital photography tips like this can save you hours of frustration and preserve otherwise perfect shots.

Get Active

Take your shot from the top of a teeter-totter, off the side of the boat, or standing on your head. Thinking outside the box can really pay off in unexpected ways. You will truly get once in a lifetime shots by adding a bit of creativity to your thinking.

Take a Class

Are you still hungry for digital photography tips? There’s nothing like practice to improve your photography – except practice plus experience gained by learning from a pro. You can find photography classes online, at your local recreation centers, and community colleges.

Becoming an expert at digital photography takes time; you won’t become a professional photographer in your first week. Just keep trying new methods each time you use your camera, and before long, your friends and family will be admiring your newfound skills.

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Computers and cellular phones, mobility and microchips – these are the trademarks of the world today. We live in a world continually changed by technology. Even the arts have continually changed due to technology. Think of it: from charcoal drawings to painting to photography to digital photography, we have come a long way in the visual arts. We have used various methods in capturing life and freezing time. New technology is continually being developed to make art easier and more fun. However, you should know that the art of digital photography is not as simple as aim and shoot.

The art of digital photography needs skill in order to pull off properly. Although some people may reason out that digital photography art can always be edited, many people do not really know how much work editing can be. Oh sure, we can say that technology has reached a level wherein a person needs to do practically nothing in order to achieve a great photograph, but of course, you need to know how to use the tools properly in order to do that.

The art of digital photography, in order to be truly mastered, needs three T’s: Time, talent and tactical placement of equipment. No, that’s not right. You need time, talent and treasure. Just what does this mean?

1) Time – one cannot be an instant expert in digital photography. You need to take the time to learn all about it. Even though you are some sort of protégé who has the talents of a genius, you actually need training to hone that talent. Remember that for all its power, a steamroller cannot be used to do the work of a hammer. There is wisdom in harnessing power properly.

Taking the time to train your self in the art of digital photography is something akin to sharpening a knife using a grindstone or forging a fine katana (that’s the Japanese samurai sword) by heating it and folding it over a thousand times –it may be painful, but it is necessary to produce the best.

2) Talent – of course, you need a bit of inherent talent in order to be truly great at the art of digital photography. You need to have an eye for the subjects that would make a great photograph. Otherwise, you will only end up being mediocre in a field that requires greatness.

Of course, the proper training can actually enhance your inherent talent and help you sharpen your skills in the art of digital photography.

3) Treasure – as said before, you will need the proper tools in order to be successful in the art of digital photography. This means that you will need to invest a lot of cash. Although there are a lot of digital art photography equipment that can be bought at inexpensive prices, the best equipment needs some serious pocket digging. This, of course, tests your courage because there’s nothing scarier to a man than having to pull out his wallet in the name of an untested interest.

Once you have invested money in the art of digital photography, there’s no turning back.

The art of digital photography may seem like it requires a lot. However, in order to be truly successful in something you need love and love always requires sacrifice. You should keep that in mind.

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If you have ever photographed your weekend outing, family reunion, or a special vacation getaway with your friends or family, you know that outdoor photography can present some very special challenges. This is true even for the most seasoned photographer. Direct sunlight can be harsh. Unwanted objects can interfere with your composition. Proper color rendering can be problematic. And many times, good old Mother Nature is just not feeling cooperative. Perhaps, there’s not much that can be done about Mother Nature, but with some practice and patience you can overcome many of the other challenges you face as an outdoor portrait photographer. Along my journey as a photographer I’ve learned some outdoor techniques that may benefit those who choose to follow:
1. Keep it simple. The subtle pattern and color of an adobe wall, the simple repeating pattern and muted tones of planks on a fishing pier, or the uniform color of a patch of blue bonnets, snapdragons, or yellow primrose can serve as wonderful backdrops for your outdoor portraits. When you are composing your portrait, you want your subject to be the focal point that all eyes are drawn to. Busy patterns, large areas of excessively vibrant colors (especially a mixture of different colors), or over imposing forms in your foreground or background that are not treated properly, can really distract from her if you are not careful.

2. Control the depth of field (the range of distances from your camera that are in focus). The edge of a forest, or mountains in the distance may render beautifully as a backdrop for your subject with proper control over the depth of field. If you have an SLR camera, you can adjust your depth of field to bring the background more or less out of focus relative to your subject. This serves as eye control for the observer of your portrait. The eye is naturally drawn to what is brightest and most sharply focused. If your subject is sharply focused relative to the background, she will be accentuated as the focal point of your portrait. Controlling the depth of field is accomplished by adjusting your aperture setting (the size of your lens opening, expressed in f-stops). The smaller the f-stop the larger the opening of your lens, and the smaller the depth of field will be. For instance, when you see a photograph in a nature magazine of a beautiful butterfly in a patch of flowers, and the butterfly is in razor sharp focus but the flowers are gently blurred; this was accomplished by the photographer using a narrow depth of field (small f-stop setting). For bright light situations this may be difficult to achieve. For any given intensity of light, as you open up the aperture (lower the f-stop) you must increase the shutter speed (thereby decreasing exposure time) to avoid over exposure. Increasing the shutter speed generally reduces resolution in the image. Experiment to find the combination of aperture setting and shutter speed that gives the result you desire.

3. Be mindful of distracting objects behind your subject. What is plainly a bush, a mailbox, or a birdhouse to your eye, can appear like an extra appendage growing out of the top of your subject’s head in your two dimensional portrait. You may get some interesting effects this way, but generally they will not make a good impression on your subject. Take the time to find an interesting angle that eliminates distracting objects from the background.

4. Control the light. “Down light” (e.g. harsh midday light) is generally undesirable. Due to the shadow patterns it creates, it can bring out the worst in your subject … can anyone say, “Raccoon eyes”? “Lateral light” (e.g. early morning and late afternoon light) is much more desirable. Lateral light can be controlled and directed to create beautiful shadow patterns across the face of your subject. There is a saying with many photographers who shoot outdoors, “the first tree in the forest is best” for a background. The reason is, the canopy of the first tree controls the harsh down light, but being on the edge of the forest, you still have lateral light to work with. The same idea holds true for porches or the edge of any other type of overhang. Professional photographers sometimes use shade cloth and reflectors to block down light while directing available lateral light to enhance their subject and achieve their desired effect.

5. Correct the color. Before the digital age, corrective filters or special films were mostly used for color correction in outdoor portraits. With digital cameras, the color can be corrected using your white balance setting (expressed as color temperature in degrees Kelvin). Most digital cameras today do a pretty good job of automatically adjusting the white balance for outdoor exposures. If you would like to experiment with your manual white balance setting use the table below as a guide. For a more detailed understanding of the meaning of color temperature correction, see the article at: http://www.sizes.com/units/color_temperature.htm

Temperature Typical Sources
1000K……. Candles; oil lamps
2400K……. Early morning sunrise
3200K……. Tungsten light bulbs
4000K……. Fluorescent
5200K……. Typical daylight; electronic flash
6000K……. Cloudy Day
7000K……. Shade

Keeping your composition simple, controlling the depth of field, and eliminating objects that may distract from your subject, all help to accentuate your subject as the focal point of your portrait. Controlling the available natural light and correcting the white balance of your photographs can reveal and enhance the true beauty of your subject. Beyond this, make it your aim each day to unleash your creativity that you may see the world around you in fresh and unique ways. Never be content with seeing the ordinary as ordinary. Just stop and think for a moment, everything there is, is ordinary to someone. Art is created by those with the ability to see beyond the ordinary, to interpret their world in an exceptional way, and to reflect their interpretation for others to see. So, experiment and don’t be afraid to try something new. The world is abundant in forms, textures, colors, and patterns of light … all the handy-work of God. Grand landscapes and magnificent manmade structures are not required for great photos in the great outdoors. May Mother Nature always cooperate with you. Good day and happy clicking!

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We have all seen beautiful photos where the object is perfectly focused while the background is blurred. Such a photo can be very dramatic and might seem to be hard to shoot. In this article we will give you a few tips on how to shoot blurry background photos that will impress your friends and family. You will also understand what Depth of Field is and how to control it.

Depth of field (also known as DOF for short) is the most important thing to understand before shooting a blurry background photo. Depth of field is defined as the range in which the photo is in focus. For example an infinite depth of field means that the photo will be in focus from a certain distance from the camera and up to infinity. When taking a blurry photo the goal is to set the depth of field just around the object. In this way the object is in focus while the background behind it is not.

How do you control the depth of field? After all there is no “depth of field” menu in the camera (wouldn’t that be nice…). Depth of field is an optical figure that is influenced by a few factors:

After understanding the theory it is best to go to the field an experiment. You will get a sense of how your photo will look like and how blurry the background will be after playing with different lenses, different apertures and different distances from your object. If you own zoom lenses start with taking photos of a relatively close object while using your zoom lenses. You will find out that it is extremely easy to get a blurry background photo using this method even without setting the aperture. Once you feel comfortable with that setup start changing the aperture and also change to your normal 18mm-55mm or similar lenses.

Most cameras allow to manually change the aperture by putting the camera in “A” mode – while you are changing the aperture the camera will automatically set the shutter speed accordingly. Some cameras allow you to manually set both aperture and shutter speed.

In conclusion shooting dramatic blurry background photos is easy with some minimal understanding of depth of field and some experimenting.

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Almost anyone that can point a camera and take a picture can take a portrait picture. There are a few things to learn about when it comes to this type of photography that will help you understand the basics of what makes a good portrait. In reality, you do not need a studio or some special equipment and technical resources to take an outstanding portrait photograph.

A portrait is taken to define the likeness of a person or people and even more so, it is a picture of someone’s face. However, in general the word has a deeper meaning when it is shown in a photo. Portrait photography is understood to be of good quality and not only does it capture a person’s physical look on film, but will also show a characteristic in the manner that is pleasant to the eye, attractive and a unique mannerism of the subject. A very well done portrait will at least contain one element that reveals what the subject’s personality and attitude or any other traits or features that is natural to the person.

One of the benefits of doing portrait photography is the conversation that will take place. It takes an understanding and skill of human nature to be able to take a good portrait. It will require engaging in a conversation with the subject you are working with, find a suitable topic that will spark and interest and a reaction. Common ground is a great way to start when building a rapport with the person, the more you know about the person you photograph, the easier it will be to take a great quality shot. It is important for the subject to be at ease with you so their natural characteristics will show through and appear natural on film.

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